In six books, numerous essays, book chapters, encyclopedia articles, blog posts, and a trilogy of forthcoming Young Adult novels, I make the case that dance is a vital art — as essential to the process of becoming human as it is to the process of understanding what it means to be human.

I also make the case that dance is a radical act — inherently subversive in a culture, still wrestling with the legacies of western Christian colonialism, that privileges practices of reading and writing as the dominant media of authority, transparency, and communication.

Where to begin?

Two of my books are general-audience books, written in a personal, accessible style: What a Body Knows reveals the role rhythmic bodily movement can play in helping us discern the wisdom in our desires for food, sex, and spirit; and Family Planting reveals how dance opens new perspectives on learning to love, specifically in relation to our parents, partners, and progeny.

Three of my books are written for scholars in religious studies, dance studies, and related fields. Two deal with questions of theory and method: Between Dancing and Writing interrogates philosophical roots of the study of religion, seeking to identify where and when dancing falls off the map, while A History of Theory and Method in the Study of Religion and Dance sets that philosophical history in the context of western Christian colonialism, introducing an ecokinetic approach to the study of religion and dance.

My third book written for scholars as well as dancers, Nietzsche’s Dancers, demonstrates how Friedrich Nietzsche uses dance imagery to evoke the work and fruits of loving life, before exploring how Isadora Duncan and Martha Graham each engage and advance his philosophical project.

My sixth book, Why We Dance, combines both personal reflection and scholarly analysis to argue that dance is a vital art — vital not only for our physical selves, or our emotional, intellectual, and spiritual selves, but also for our ability to create mutually life-enabling relationships with one another and the earth in and around us.

In making these arguments, I draw on the work of researchers from across disciplines who are discovering the fundamental role that bodily movement plays in the process of becoming human. Along the way, I articulate a movement-based philosophy of bodily becoming that retells the story of what it means to be human from the perspective of dance.

For more about the book, check out my Author Interview on the Columbia University Press Blog, and listen to this interview with Joanna Harcourt Smith. BORN TO MOVE.

For a quick introduction to some of these ideas, see “The Dancing Species: How Moving Together in Time Helps Make Us Human,” AEON, June 2019.

For shorter essays on all of these themes, as well as stories from our life on the farm, check out my blog.

Why We Dance was the inspiration for a film by the Canadian Broadcasting Corporation — also called WHY WE DANCE — directed by Nathalie Bibeau. For more information about the film, please visit: WHY WE DANCE. Also check out my blog post about the project.

I am currently writing a Young Adult series that brings my dance philosophy to life in an near-future eco-adventure for teen readers. In these books, spontaneous dance is a ‘superpower’ for cultivating sensory awareness of the natural world and accessing the lost wisdom of the ages.

A full list of publications with links follows.

Questions? Ask me in the reply box below. Enjoy!

BOOKS

A History of Theory and Method in the Study of Religion and Dance: Rhythms of Bodily Becoming. Brill Research Perspectives. October 2018. 

Why We Dance: A Philosophy of Bodily Becoming. Columbia University Press, April 7, 2015. 

Family Planting: A farm-fed philosophy of human relations. UK: Changemakers, O Books, June 2011.

What a Body Knows: Finding Wisdom in Desire. UK: Changemakers, O Books, April 2009.

Nietzsche’s Dancers: Isadora Duncan, Martha Graham, and the Revaluation of Christian Values. Palgrave MacMillan, February 2006. Paperback, 2011.

Between Dancing and Writing: The Practice of Religious Studies. Fordham University Press, November 2004.

EDITED JOURNAL

Journal of Dance, Movement, and Spiritualities, Special Issue: Dancing on Earth, co-editors, Kimerer LaMothe, Yvonne Daniel, Sally Hess, DMAS 4.2, 2017.

BOOK CHAPTERS

“Dancing Immanence: A Philosophy of Bodily Becoming,” In Earthly Things: Immanence, New Materialisms, and Planetary Thinking. Edited by Karen Bray, Heather Eaton, and Whitney Bauman. New York: Fordham University Press, 2023.

“Does Your God Dance? The Role of Rhythmic Bodily Movement in Friedrich Nietzsche’s Revaluation of Values,” in Dance as a Third Space. Interreligious, Intercultural, and Interdisciplinary Debates on Dance and Religion(s), Göttingen: Vandenhoeck & Ruprecht, December 2021.

“Writing Why We Dance: The Predicaments, Pitfalls, and Promises of Writing about Dance and Spirituality,” in Spiritual HerStories: Call of the Soul in Dance Research, ed. Amanda Williamson. Intellect, 2020.

“As the Earth Dances: A Philosophy of Bodily Becoming,” in Back to the Dance Itself: Phenomenologies of the Body in Performance, ed. Sondra Fraleigh. University of Illinois Press, Fall 2018, pp. 123-140.

“Dancing on Earth: The Healing Dance of Kalahari Bushmen and the Native American Ghost Dance Religion,” in Dance and the Quality of Life, ed. Karen Bond. Springer, 2019, pp. 117-134.

“Phenomenology,” in Religion: Embodied Religion. Ed. Kent L. Brintnall. Part of the Macmillan Interdisciplinary Handbooks: Religion series. Farmington Hills, MI: Macmillan Reference USA, 2016.

“Becoming a Bodily Self,” in Movement Matters: New Materialism and Religious Experience, eds. Joerg Rieger and Ed Waggoner, Palgrave MacMillan, 2015.

“Can They Dance? Towards a philosophy of bodily becoming,” Dance, Somatics, and Spiritualities: Contemporary Sacred Narratives. Eds. Amanda Williamson, Glenna Batson, and Sarah Whatley, Intellect Press, 2015, pp. 131-150.

“I am the Dance: Towards an Earthed Christianity,” in Theology, Aesthetics, and Culture: Conversations with the Work of David Brown. Eds. Robert MacSwain and Tracey Worley. Oxford University Press, 2012, 131-44.

“Expressing Life: Dancing towards a Feminist Philosophy of Religion,” in The Subjective Eye: Essays on Art, Religion and Gender in Honor of Margaret Miles. Wipf & Stock Publishers, 2006.

ENCYCLOPEDIA ENTRIES

“Dance, Religion, and the Legacy of European Colonialism.” In Oxford Research Encyclopedia of Religion. Oxford University Press, 2014—. Article published May 26, 2021. doi: https://doi.org/10.1093/acrefore/9780199340378.013.776., 12,000 words.

“Ruth St. Denis,” “Ted Shawn,” Leonide Massine,” “Jose Limon,” and “Kurt Joos,” in New Catholic Encyclopedia, Supplement 2011, Vol. 2.

“Play,” in the Routledge Encyclopedia of Postmodernism: Disciplines, Terms and Figures. Eds. Victor E. Taylor and Charles E. Winquist, London: Routledge, 2001.

ARTICLES

“For Nietzsche, life’s ultimate question was: Does it dance?” AEON, March 2020.

Dancing the Possible: An Extended Review of Kun-Yang Lin/Dancers in The Faith Project/ The Door,” Journal of Dance, Movement, and Spiritualities, Volume 5, Number 2, 1 September 2018, pp. 165-181(17).

“The Dancing Species: How Moving Together in Time Helps Make Us Human,” AEON, June 2019.

“Let’s Keep Dancing,” in The Immanent Frame, February 15, 2018.

“Enlivening Spirits: Shaker Dance Ritual as Theopraxis” Théologiques 25/1, 2017, pp. 87-108.

“Introduction” and “When Arguments Are Not Enough: An Aesthetic Intervention” in Journal of Dance, Movement, and Spiritualities, Special Issue: Dancing on Earth, co-editors, Kimerer LaMothe, Yvonne Daniel, Sally Hess, DMAS 4.2, 2017.

“Dance: The Art of Affirmation,” Nietzsche Circle Journal, Spring 2017.

“Transformation: An ecokinetic approach to the study of ritual dance,” in Dance, Movement, and Spiritualities, 1:1, January 2014, pp. 57-72.

“What Bodies Know About Religion and the Study of It,” in Journal of the American Academy of Religion. September 2008, Vol. 76, No. 3, 573-601.

“Why Dance?: Towards a Theory of Religion as Practice and Performance.” Method and Theory in the Study of Religion. 17(2): 101-133.

“A God Dances Through Me: Isadora Duncan on Friedrich Nietzsche’s Revaluation of Values,” The Journal of Religion. April 2005, 241-266.  WINNER 2006 Lippincott Award, Society of Dance History Scholars.

“Reason, Religion, and Sexual Difference: Resources for a Feminist Philosophy of Religion in Hegel’s Phenomenology of Spirit,” Hypatia: Journal of Feminist Philosophy. Vol. 20, No. 1, Winter 2005, 120-149.

“Giving Birth to a Dancing Star: Reading Nietzsche’s Maternal Rhetoric via Isadora Duncan’s Dance,” Soundings 86.3-4. Fall/Winter 2003, 501-23.

“Sacred Dance: A Glimpse Around the World,” Dance Magazine. December 2001.

“Why Dance Religion? The Case of Martha Graham,” Radcliffe Quarterly. Winter 2001.

“Passionate Madonna: The Christian Turn of American Dancer Ruth St. Denis,” Journal of the American Academy of Religion 66/4. Winter 1998, 747-769.

BLOG

“What a Body Knows,” over 100 posts on topics related to dance, movement, health, farming, family, philosophy, religion, and recent scientific research at Psychology Today, September 2009 to March 2020.